‘Hotel Mumbai’ Review Haiku: Terror in the Flesh

Much like Paul Greengrass with last year’s 22 July, Maras drops us right into the center of the action and barely lets his foot off the gas long enough to let the audience catch its breath over the course of two hours.

Film of the Day (03/27/19): Chappie

I really like Blomkamp’s style of filmmaking. It’s visceral, engaging and meaningful, especially considering his genge preoccupations. I hope his next film has a bit more focus, so it can shine as brightly as his debut.